First, my thanks to all the readers who posted reviews of the Regarding Ducks and Universes ARCs on Amazon, Goodreads, LibraryThing and other places. Every review helps spread the word and is much appreciated!
Second, this week we have the signed copies of Regarding Ducks and Universes going out to the Goodreads giveaway winners. One to Canada, two to Great Britain, and seven to various corners of the U.S. Winners, be on the lookout for the book in about 7 to 10 days, depending on where you are.
Finally, below is the Q&A going out with the press release, with the "Q" part courtesy of the great Sarah Burningham of Little Bird Publicity.
Q: Most science fiction writers don't have a background in real science, but you graduated with your Ph.D. from Stanford's renowned STAR Lab. How did your scientific work influence your fictional writing? Did working in science inspire you to write?
Neve Maslakovic: When I first tried my hand at writing fiction, I found that the process is a close cousin of scientific research—you come up with an idea, sit down at your desk (or in your lab), work at it, spend time thinking, backtrack, try a different approach…neither one happens neatly and both are very creative endeavors. Science is guided by observation and deduction, of course, while in writing REGARDING DUCKS AND UNIVERSES my aim was to make the novel a fun read and a bit thought-provoking at the same time. Ultimately, though, you're just tinkering with ideas until you hit upon something that works and feels right. I don't feel I've moved wholly away from science; on the contrary—scientists and academic settings inhabit my stories.
Q: You were born in communist Yugoslavia and have lived all over the world. How did your travels impact the creation of Universe A and Universe B in REGARDING DUCKS AND UNIVERSES?
NM: I love to travel, both in person and virtually, by reading about real places or by writing about imagined ones. Sometimes a place that's only a little different than what we're used to can be more disconcerting than a place that's hugely different. To that end, I wanted Universe A and Universe B to be 'next-door' kind of universes to ours and to each other; the laws of physics are the same and people don't have five arms, but in Universe B ordinary things like paper books and Ferris wheels seem out of place to A-dweller Felix Sayers, who's come from a more technologically and environmentally oriented society. So he's a little baffled by San Francisco B, especially as it seems that someone is trying to kill him.
Q: What made you decide to set REGARDING DUCKS AND UNIVERSES in San Francisco?
NM: I think writers, even ones of speculative fiction, always end up writing about their lives and the places they've been, even if only in some extended sense. I was in California for twelve years, and, like all the places I've lived, it's become a part of me. And San Francisco, in particular, is such a unique and interesting city, a city of innovation, a literary city. A perfect setting for basement-lab experiments with universes and for an encounter with a paper book for the first time.
Q: What can we expect to see next from you? More science fiction? Or maybe something travel-related?
NM: As a matter of fact, the novel I'm currently working on is going to be both science fiction and travel-related. I don't want to say too much at this early stage, but let's just say that this time there are no ducks, but there is an Australian didgeridoo. And Fibonacci numbers. And cheese, lots of cheese. And time travel.